I reached 30 hours in Ghost of Yōtei last night. Since picking it back up again after a quick review departure to cover Little Nightmares III for Game Informer, I have been devouring Sucker Punch Productions’ spiritual follow-up to 2020’s Ghost of Tsushima. I spend each work day excited to reach the night because it’s then that I can jump back into this 17th-century recreation of Ezo, known as Hokkaido. The more I play, though, the more I wonder if Sucker Punch thinks I’m stupid.
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